![]() ![]() I've read that some folks, even with real drummers, will go back and re-record the cymbal hits separately so that have that control, and then you could do what I indicated above, which is just roll off most of the cymbals out of the overheads and use the narrowly passed directs for the sizzle. The rest of it is horrible, gongy, grating frequency poop really :-) So just keeping a very narrow band of the cymbals, around that 8KHz to 12Khz range, really sounds nice and just provides that airy sizzle on the top.īut I guess you can't really do that unless you have separate, clean cymbal tracks. ![]() If you listen to pretty much all well product pop/rock records, nothing is kept of the cymbal but the sizzle, and it works out very well that way. To me, the thing is that the bulk of the entire frequency range of a cymbal is useless, and you don't want it. ![]()
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